camille
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POEM for CAMILLES

subject: camille claude

down on both knees
before her beautiful body
which I embrace
creates

perfect passion

she decided to become
a residence in rare blue

soon

demonstrated the full art
, at a time when her beginning
demonstrated the cruelty of discrimination !!!!!!


the final break
the wound love
that the two artists
had experienced


. camille never recovered from to break free

on her knees begging him to stay
using onyx. a rare material.


bases an AGF composition
a sculptor in tune

madnes
more pronounced
and destructive.
the most
art can be
wished
by Mlle Say
version in marble.


acquired by a masterpiece
work can be genius

angry works
beauty
sadness or dejection.

I do not agree
unable to extract physical

displaced . obvious . mendacious.

locked in the subject


rising to the design.

work is faint and short


recombined
when we see demure sweet innocence


lacking in emotional candor
input to a dancer's eyes


movement instead of pose.

break-up
directed outward


inward and pensive.


influencing it.


symbolizing the love triangle

pure, simple, and elegantly romantic.


idolizing physical form.
predominantly the reverse.


one clear idea each.
between man and woman

heros for the public gardens

one need


compare sweetness


two artists claimed the exact same work

a lover who knew the score
she made her choices.

damning questions that could be asked.

rejected, fallen, angry

So You'd Like to...

"She's a witch."

Camille Claudel is a must-see.

marble and bronze that attracted patrons and critical accolades.

Camille Claudel, of Dreams and Nightmares

ended up the same sad




so was it madness or just an overabundance of emotions?



She is killing two birds with one stone here.


Touch it, it bleeds.

(Redirected from Mental hospital)

A psychiatric hospital (also called a mental hospital) is a hospital specializing in the treatment of persons with mental illness. Psychiatric wards differ only in that they are a unit of a larger hospital.

Mental hospitals have a number of differences from other hospitals. First, they generally have elaborate procedures to prevent suicide by patients (for example, appliances with power cords are not allowed, and access to stairways and high, open windows is restricted). Second, they attempt to reduce the amount of sensory stimulation that the patients have. Contrary to popular belief, mental hospitals are generally quiet, even boring places. Third, mental hospitals often try to provide as normal an environment as possible. For example, unlike most other hospitals, patients in mental hospitals wear street clothes rather than examination patient garments.

Since the 1960s, efforts have been made to improve mental health care. Nevertheless, many problems remain, especially for those with little money to pay for more expensive facilities. The use of restraints and medication for punishment rather than treatment, the lack of adequate staff and resources, the lack of documentation of forced treatment, as well as other serious deficencies remain all too common.

There are a number of different types of mental hospital. One is the crisis stabilization unit, which is in effect an emergency room for mental situations. Because involuntary commitment laws in many jurisdictions require a judge to issue a commitment order within a short time (often 72 hours) of the patient's entry to the unit and because moving a severely ill mental patient can be extremely dangerous, especially as the patient may try to harm himself/herself or others, many of these stabilization units have conference rooms which are used as courtrooms for emergency commitment procedures.

Another type of mental hospital is used for medium term care lasting several weeks. Most drugs used for psychiatric purposes take several weeks to take effect and the main purpose of these hospitals is to watch over the patient while the drugs take have their expected effect and the patient can be discharged.

One other type of mental hospital is designed for long-term care: a combination hospital and prison for the criminally insane. In the United States, these are generally operated by the state government and exist in a few centralized locations. In many cases, persons within these hospitals have been charged with serious crimes and have been found not guilty by reason of insanity. As a result, in addition to the precautions to prevent suicide there are also precautions against escape (such as are found in a prison). The treatment of persons within such institutions has been a subject of long-standing debate (and a minority of people have advocated for their aboliton, on the grounds that the insanity defence should not be permitted and those confined to such institutions should be incarcerated in a regular prison instead, on the grounds that the inmates' confinement to these "hospitals" punishes them for crimes of which they have been judged not guilty, and on various other grounds).

One final type of mental institution which is not a hospital is a community-based half-way house which provides assisted living for mental patients for an extended period of time. These institutions are considered to be one of the most important parts of a mental health system by many psychiatrists, although many localities fail to provide sufficient funding for them.

Some observers, including Thomas Szasz, have objected to calling mental hospitals "hospitals" (see anti-psychiatry). Lawrence Stevens has described mental hospitals as "jails." 1


History of mental hospitals




Camille Claudel



8.12.1864 - 19.10.1943



Eine der genialsten Bildhauerinnen ihrer Zeit



Camille Claudel wird am 8. Dezember 1864 im französischen Villeneuve-sur-Fère geboren. Der Vater, Louis-Prosper Claudel, hat zu seiner Tochter ein inniges Verhältnis, sowie auch der jüngere Bruder Paul (1868-1955). Auf das heranwachsende Mädchen üben Steine und Felsen eine besondere Faszination aus. Bereits als Jugendliche ist sie besessen vom Modellieren, formt und knetet aus Schlamm Figuren. Mit 13 Jahren beschließt sie Bildhauerin zu werden. Der Vater setzt alles daran die Begabung seiner Tochter zu fördern. So ziehen 1881 die Mutter und die Kinder Paris.

Hier kann Camille die Académie Colarossi (das heutige Grande Chaumière), eine der wenigen Kunstschulen besuchen, an denen auch weibliche Studenten zugelassen sind. 1883 begegnet sie dem Bildhauer Auguste Rodin (1840-1917). Dieser erkennt Camilles aussergewöhnliches Talent und bietet ihr eine Mitarbeit in seinem Atelier an. Sie emanzipiert sich als Künstlerin, die sich mit dem Meister messen kann. Camille, die einzige Frau in seinem Atelier ist nicht nur die Lieblingsschülerin des Meisters, sondern auch die Geliebte von Rodin. Von dieser Liebe profitiert in erster Linie Rodin: Camille ist seine Muse, sie inspiriert ihn. Ihm wird der künstlerische Erfolg zuteil, Camille steht in seinem Schatten. Zudem muss sie erfahren, dass Rodin, als sie von ihm schwanger wird, nicht die Absicht hat, sie zu heiraten. Sie verliert das Kind. Enttäuscht als Künstlerin und Frau, mit dem Gefühl benutzt worden zu sein, trennt sie sich 1898 von Rodin und kämpft um künstlerische und soziale Unabhängigkeit. Doch innerlich kann sie sich nie ganz von Rodin lösen. Sie kommt alleine nicht zurecht. Finanziell und emotional gerät sie in eine tiefe Krise, leidet unter Verfolgungswahn und entwickelt starke Aggressionen. 1906 sie zerstört einen Großteil ihrer eigenen Kunstwerke. Ihr Vater, der einst so stolz auf seine Tochter war, löst sich von ihr und wendet sich ihrem Bruder Paul, mittlerweile ein bekannter Dichter und erfolgreicher Diplomat, zu. Nach dem Tod des Vaters liefert Paul seine Schwester am 10. März 1913 in eine psychiatrische Anstalt ein.

Camille Claudel verbringt die letzten 30 Jahre ihres Lebens nahezu vergessen, ohne ein weiteres Werk geschaffen und ohne je den ihr zustehenden Erfolg erlebt zu haben, in den psychiatrischen Anstalten Ville-Evrard und Montdevergues. Sie stirbt am 19. Oktober 1943.

-gm-





Zum Weiterlesen:
"Der Kuß, Kunst und Leben der Camille Claudel",
Anne Delbée - Goldmann Verlag